This work raises, perhaps more than others, questions about the woman depicted. A sort of Ariadne's labyrinthine thread winds around the tubular bronze workmanship. They are interior vortexes that make the female figures evolve and upset.
What intertwining accompanies the woman on the threshold of the new millennium? Is his intent to show, protect or resign himself? It is no coincidence that the model of this work has been replicated other times by the artist, even in monumental form, with the name of Grande Symbiosis (now exhibited at the Columbus nursing home in Milan and at the Italian Cultural Institute of Athens).