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Susanna and the Elders
fullscreen
The warning time
fullscreen
Antonio Gianlisi - Still life with carpet
fullscreen
Pietro Antonio Luchini - Portrait of Clementina Martelli Grillo
fullscreen
Giovanni Battista Todeschini - Portrait of Lucia Stoppani
fullscreen
Massimo Tapparelli d'Azeglio - Port of Lecco
fullscreen
Vincenzo Bianchi - View of Lecco from Valmadrera
fullscreen
Ruggero Panerai - Soldiers waiting
fullscreen
Carlo Pizzi - Mount Resegone
fullscreen
Orlando Sora - My family
fullscreen
Raffaele De Grada - View of Lecco
fullscreen
Augusto Colombo - lamination
Susanna and the Elders
The warning time
Antonio Gianlisi - Still life with carpet
Pietro Antonio Luchini - Portrait of Clementina Martelli Grillo
Giovanni Battista Todeschini - Portrait of Lucia Stoppani
Massimo Tapparelli d'Azeglio - Port of Lecco
Vincenzo Bianchi - View of Lecco from Valmadrera
Ruggero Panerai - Soldiers waiting
Carlo Pizzi - Mount Resegone
Orlando Sora - My family
Raffaele De Grada - View of Lecco
Augusto Colombo - lamination

Other works on display

Description

The work Porto di Lecco by Massimo Taparelli d'Azeglio influenced all the nineteenth-century naturalistic painting in Lecco. The Turinese statesman learned his love for rural views and their real-life copy from the Flemish landscape painter Martin Verstappen, of whom he was one of the very few pupils.
Del D'Azeglio are known several views of Lake Como, but this is perhaps the only representative of Lecco, a city that he must have known well, even after his marriage to a daughter of Manzoni, in 1831.

This work depicts the basin of the port of Lecco, at the foot of Mount San Martino, with large boats for transporting goods and many figures moving on the shore. The tones are warm with golden reflections typical of D'Azeglio's production.
The presence of boats and people working on the lake shore will often return to other views of the city of Lecco and its surroundings, such as in the Veduta di Malgrate da Lecco or in the Veduta di Lecco.

Location: room 5


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