Hermaesthetics is a term invented by the artist that originates from herm, the truncated-conical pillar bearing the head of a divinity, used in ancient Greece to indicate the roads to Athens and later, in Roman times, in celebratory portraiture. In this case, the title of the work helps to reveal its hidden meaning, in which the artist, playing as usual with linguistic manipulations, refers to the free and casual associations of Dadaism, recalled here by the dice, symbol of the unpredictability of fate, which hangs on the figure's head. Reference is also made to the Androgyne of the myth told by Plato in the Symposium - where the origin of humanity was traced to three species of human beings: the male, the female and a third specimen with both genders - and to Hermes, the Mercury of the Romans, who was not originally a god, but the personification of the totemic virtues of a phallic simulacrum. This one, best known for his role as messenger of the gods, is generally represented with winged shoes, helmet and caduceus, and he was also associated with scientific spirit and artistic sensitivity. Finally, there is a reference to Hermes Trimegistus (three sometimes wise ), traditionally depicted with three heads, from which the term" hermeticism "comes, that is the initiatory knowledge that can be reached with study and dedication.