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Sforza Castle Picture Gallery verified

Milan, Lombardy, Italy closed Visit museumarrow_right_alt

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Andrea Mantegna - The Madonna in Glory and Saints John the Baptist, Gregory the Great, Benedict and Jerome
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Filippo Lippi - Madonna of Humility
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Giovanni Antonio Canal, detto Canaletto - The Molo towards the riva degli Schiavoni with the column of San Marco
fullscreen
Alessandro Magnasco, detto Lissandrino - The Verziere market
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Antonio Allegri, detto il Correggio - Madonna Bolognini
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Lorenzo Lotto - Portrait of a Young Man with Petrarchino
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Bernardo Bellotto - The Palazzo dei Giuristi and the Court of Justice of Milan
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Francesco Galli - Madonna Lia
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Pier Francesco Mazzucchelli, detto il Morazzone - Pentecost
fullscreen
Vincenzo Foppa - Madonna of the book
Andrea Mantegna - The Madonna in Glory and Saints John the Baptist, Gregory the Great, Benedict and Jerome
Filippo Lippi - Madonna of Humility
Giovanni Antonio Canal, detto Canaletto - The Molo towards the riva degli Schiavoni with the column of San Marco
Alessandro Magnasco, detto Lissandrino - The Verziere market
Antonio Allegri, detto il Correggio - Madonna Bolognini
Lorenzo Lotto - Portrait of a Young Man with Petrarchino
Bernardo Bellotto - The Palazzo dei Giuristi and the Court of Justice of Milan
Francesco Galli - Madonna Lia
Pier Francesco Mazzucchelli, detto il Morazzone - Pentecost
Vincenzo Foppa - Madonna of the book

Other works on display

Description

The lively scene of the Verziere is freely inspired by a place, sung by the Milanese poets, the site of a centuries-old daily sale around the religious fulcrum of the Colonna del Redentore. According to a usual practice in gender frameworks, the Mercato del Verziere is an interesting collective working document. We do not know the name of the quadraturist who painted the architectural backdrops, nor of the still life painter to whom we owe the precise depiction of a myriad of objects, including fruit stands, vegetables and food placed on the market. Another collaborator has placed extras, but the snappy figures obtained from a filamentary brushstroke, recognizable starting from the second row up to the character of the Redeemer, are by Magnasco's hand. These pictorial traits are also found in the two Storms (inventories 1331,1332) that flank the work in the Pinacoteca, typical evidence of the artist's fertile, imaginative visual imagination.

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