The continuous and constant feedback with nature is the fundamental fact of the entire production of the master of Volpedo. The subjects, taken from life, always acquire a different, metaphorical and absolute meaning in Pellizza; his painting challenges contingency by becoming a means to talk about universality, to tell about becoming to express the eternal. Idyll. The tree of life is a composition of great impact, despite its modest size, thanks to the lean and carefully constructed plant hinged on the dominant element of the imposing bare tree and its overbearing shadow, evocatively described by the typical Pellizziano backlight and wrapped in the round shape of the support, which collects everything in an ideal size. The symmetry of the painting is nourished by the dynamic dialogue between the main trunk and the two laterally rearward, inclined in opposite directions to activate a centrifugal trend that the circularity of the canvas makes evident. The blue and red brushstrokes on the broken lines of the branches and on the mighty cylinder of the stem stand out, which in a skilful play of complementaries are confronted with the fresh liveliness of the lawn interwoven with yellows, ocher and greens and dotted with white reflections.