Considered one of Savoldo's masterpieces, the work was performed during the second stay in Venice of the Brescian painter. The flutist, who emerges from the dim light of a room, appears absorbed in melancholy amorous meditations on the verge of psychological introspection. The presence of the recorder, usually depicted in pastoral settings, refers to the “Giorgione” tradition, where there is no lack of similar figurative solutions.