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Dark Prussian – Blue Portal IV
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The sea does not wet Naples
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The man who measures the clouds
Spatial Concept, Waits
Without title
Dark Brother
Venus of the rags
Without title
Beuys by Warhol
Without title
Vibrating texture
Invisible
Dark Prussian – Blue Portal IV
Ave Ovo
The sea does not wet Naples
Axis / Offset
Without title
The love
Scribbles
My cinema
Dilemma
Without title
"Passage of Victory"

The sea does not wet Naples

Giovanna Bianco; Pino Valente

Displayed in:

Madre Museum

Madre Museum

Via Settembrini (Palazzo Donnaregina) , 79, Naples

Opening soon: at 10:00

Verified profile

The new commission for the museum's collection was designed to be placed on the terrace, which dominates the surrounding district of San Lorenzo at 360 degrees, up to Vesuvius and the sea, barely visible in the distance. The sea does not wet Naples, right from its title, cites that of the book published by Anna Maria Ortese in 1953, a collection of short stories that returns the difficulties, the drama and the suffering of post-war Naples with a critical, sometimes merciless, gaze. The apparently absurd statement hides a bitter reflection: where the sea is synonymous with openness and possibility, then Naples cannot be bathed by the same waters that offer a way of escape and redemption. Bianco-Valente takes up this painful assumption, showing its most paradoxical aspect: from the terrace it is in fact visible, even if in the distance, the same sea that the phrase denies, activating a short circuit between meaning and signifier. The words that make up the writing are made of iron: the discontinuity of the surface, left in its raw state but covered by a generous layer of paint that will be taken up every year by the artists, reinforces the roughness of the words and refers to a state of tension that has never been resolved. , difficult to smooth out but, for this reason, dramatically authentic.
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Details

Title: The sea does not wet Naples

Author: Giovanna Bianco; Pino Valente

Date: 2015

Technique: Executive Technical Field

Displayed in: Madre Museum

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