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Madre - Donnaregina Museum of Contemporary Art verified

Naples, Campania, Italy open Visit museumarrow_right_alt

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Jan Fabre - The man who measures the clouds
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Lucio Fontana - Spatial Concept, Waits
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Jannis Kounellis - Without title
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Anish Kapoor - Dark Brother
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Michelangelo Pistoletto - Venus of the rags
fullscreen
Jeff Koons - Without title
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Andy Warhol - Beuys by Warhol
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Agostino Bonalumi - Without title
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Getulio Alviani -  Vibrating texture
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Giovanni Anselmo - Invisible
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Gianni Piacentino - Dark Prussian – Blue Portal IV
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Francesco Clemente - Ave Ovo
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Giovanna Bianco; Pino Valente - The sea does not wet Naples
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Daniel Buren - Axis / Offset
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Léa Lublin - Without title
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Fausto Melotti - The love
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Sol LeWitt - Scribbles
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Gianfranco Baruchello - My cinema
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Giulio Paolini - Dilemma
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Emilio Isgrò -
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Mimmo Paladino - Without title
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Paul Thorel - "Passage of Victory"
Jan Fabre - The man who measures the clouds
Lucio Fontana - Spatial Concept, Waits
Jannis Kounellis - Without title
Anish Kapoor - Dark Brother
Michelangelo Pistoletto - Venus of the rags
Jeff Koons - Without title
Andy Warhol - Beuys by Warhol
Agostino Bonalumi - Without title
Getulio Alviani -  Vibrating texture
Giovanni Anselmo - Invisible
Gianni Piacentino - Dark Prussian – Blue Portal IV
Francesco Clemente - Ave Ovo
Giovanna Bianco; Pino Valente - The sea does not wet Naples
Daniel Buren - Axis / Offset
Léa Lublin - Without title
Fausto Melotti - The love
Sol LeWitt - Scribbles
Gianfranco Baruchello - My cinema
Giulio Paolini - Dilemma
Emilio Isgrò -
Mimmo Paladino - Without title
Paul Thorel - "Passage of Victory"

Other works on display

Description

The first installation, presented in June-December 2013 as part of the Per_formare una Collezione # 1 exhibition, was dedicated to the theme and technique of montage, a fundamental aspect of Baruchello's entire work and which also extends to the areas of painting and assembly. In the video News in two minutes (2008), the camera scrolls the entire content of an issue of "Il Corriere della Sera" within two minutes. The inspiration comes from the homonymous title of the column on the last page of the newspaper, in which the most important news of the day is reported in a summarized form: the work assumes as a compositional principle the imperative of a fast and syncopated consumption of news, and it constitutes a comment on the accelerated perception of time and reality. The film Disperse Exclamatory Phase is screened in the second room, made between 1964 and 1965 in collaboration with Alberto Grifi. Verification uncertain is a work based on a radical use both of pre-existing material and of the editing technique and has anticipated by years the appropriation and sampling practices that have become popular since the end of the seventies. The film is made up of cinematic waste material, over 150,000 meters of film from American commercial cinemas of the 1950s and 1960s destined for waste and which Baruchello mounted with adhesive tape. Images and sequences from different narratives are juxtaposed in order to create suspensions and inversions of the original scripts, with the result of obtaining the opposite of the classic film writing process: here the screenplay is the result of the editing and not the starting point. The part of the title in brackets (Disperse Exclamatory Phase) refers to the project - later not realized - to disperse, at the end of the first screening, the frames by donating them to the public, in order to re-distribute the appropriate material again. Presented in 1965 at the Gruppo 63 conference in Palermo, this film is a fundamental work in the context of those practices which - as we can also see through the work of Nanni Balestrini - question the concept of author and analyze the mechanisms of creation through the appropriation and re-invention of existing materials.

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