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Madre - Donnaregina Museum of Contemporary Art verified

Naples, Campania, Italy closed Visit museumarrow_right_alt

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Jan Fabre - The man who measures the clouds
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Lucio Fontana - Spatial Concept, Waits
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Jannis Kounellis - Without title
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Anish Kapoor - Dark Brother
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Michelangelo Pistoletto - Venus of the rags
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Jeff Koons - Without title
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Andy Warhol - Beuys by Warhol
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Agostino Bonalumi - Without title
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Getulio Alviani -  Vibrating texture
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Giovanni Anselmo - Invisible
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Gianni Piacentino - Dark Prussian – Blue Portal IV
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Francesco Clemente - Ave Ovo
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Giovanna Bianco; Pino Valente - The sea does not wet Naples
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Daniel Buren - Axis / Offset
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Léa Lublin - Without title
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Fausto Melotti - The love
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Sol LeWitt - Scribbles
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Gianfranco Baruchello - My cinema
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Giulio Paolini - Dilemma
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Emilio Isgrò -
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Mimmo Paladino - Without title
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Paul Thorel - "Passage of Victory"
Jan Fabre - The man who measures the clouds
Lucio Fontana - Spatial Concept, Waits
Jannis Kounellis - Without title
Anish Kapoor - Dark Brother
Michelangelo Pistoletto - Venus of the rags
Jeff Koons - Without title
Andy Warhol - Beuys by Warhol
Agostino Bonalumi - Without title
Getulio Alviani -  Vibrating texture
Giovanni Anselmo - Invisible
Gianni Piacentino - Dark Prussian – Blue Portal IV
Francesco Clemente - Ave Ovo
Giovanna Bianco; Pino Valente - The sea does not wet Naples
Daniel Buren - Axis / Offset
Léa Lublin - Without title
Fausto Melotti - The love
Sol LeWitt - Scribbles
Gianfranco Baruchello - My cinema
Giulio Paolini - Dilemma
Emilio Isgrò -
Mimmo Paladino - Without title
Paul Thorel - "Passage of Victory"

Other works on display

Description

The work in the collection belongs to the famous series of Vibratory Textured Surfaces (1972-74) that play on the ambiguity of vision. The subtle changes generated by the refraction of light, thanks to the compositional texture of the aluminum surfaces, activate their intrinsic dynamism and the risk of interaction with the viewer, making it a fragment of Alviani's complex Weltanschauung, based on the stimulation of new operating methods and various expressive possibilities linked to the phenomenal and ideological insights connected to optical-visual problems. Testimony of a research path as rigorous on a theoretical level as it is precise in formal developments, which is similar to the historical experience of the Bauhaus and to artists such as Josef Albers, Max Bill and Konrad Wachsmann to lead to the Kinetic and Programmed Art movement of which Alviani is one of the most precocious and lucid interpreters. Alviani's association with the gallery Il Centro di Dina Caròla dates back to 1966, at the time of the Confrontate Trends exhibition. Visual Art and Object Figuration in comparison, curated by Filiberto Menna and Alberto Boatto, and continued uninterrupted over the years (the first solo exhibition in 1972, the last in 2007). The exhibition activity of the Neapolitan gallery soon directs its interests towards all the researches related to a scientific experience of vision, presenting, over the years, by Alviani, exhibitions of historical masters such as Josef Albers or Max Bill, of exponents of the Kinetic and Programmed Art such as Gianni Colombo, Enzo Mari, François Morellet, Jesus Rafael Soto, Victor Vasarely, Luigi Veronesi, or historical exponents of Group T and Group N such as Edoardo Landi and Manfredo Massironi.

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