Gaetano Previati's painting deals with subjects taken from the Gospels, reworking them in a mystical but human key, visionary but true, engaging but not rhetorical. There are many versions of the Adoration of the Magi or The Magi, in which the theme of maternal love intersects with the Gospel story, the structure of the Adoration of the Magi of Tortona is similar to that of the other known versions, set on a composition with a marked horizontal development in which the compact group of main characters, on the left, protected by the dim light of a sparse shelter, is intent on adoring the sleeping Child, lying as in a cradle on the legs of his mother seated in heartfelt prayer. On the opposite side, the backlit figures of the retinue of the Magi bear the gifts, while at the same time holding the sumptuous robes garnished with golden scrolls, lit with lights and reflections that confuse them with the landscape behind them. Open in the background in a clear sky, the horizon unfolds brightly, touching the hinted profiles of the camels and casting long colored shadows on the land bathed in golden light. The chromatic richness is declined by a filamentous and fast, impetuous and expressive brushstroke, softened by the delicacy of the colors that break in myriads of superimposed signs.