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Madre - Donnaregina Museum of Contemporary Art verified

Naples, Campania, Italy open Visit museumarrow_right_alt

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Jan Fabre - The man who measures the clouds
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Lucio Fontana - Spatial Concept, Waits
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Jannis Kounellis - Without title
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Anish Kapoor - Dark Brother
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Michelangelo Pistoletto - Venus of the rags
fullscreen
Jeff Koons - Without title
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Andy Warhol - Beuys by Warhol
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Agostino Bonalumi - Without title
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Getulio Alviani -  Vibrating texture
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Giovanni Anselmo - Invisible
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Gianni Piacentino - Dark Prussian – Blue Portal IV
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Francesco Clemente - Ave Ovo
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Giovanna Bianco; Pino Valente - The sea does not wet Naples
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Daniel Buren - Axis / Offset
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Léa Lublin - Without title
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Fausto Melotti - The love
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Sol LeWitt - Scribbles
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Gianfranco Baruchello - My cinema
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Giulio Paolini - Dilemma
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Emilio Isgrò -
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Mimmo Paladino - Without title
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Paul Thorel - "Passage of Victory"
Jan Fabre - The man who measures the clouds
Lucio Fontana - Spatial Concept, Waits
Jannis Kounellis - Without title
Anish Kapoor - Dark Brother
Michelangelo Pistoletto - Venus of the rags
Jeff Koons - Without title
Andy Warhol - Beuys by Warhol
Agostino Bonalumi - Without title
Getulio Alviani -  Vibrating texture
Giovanni Anselmo - Invisible
Gianni Piacentino - Dark Prussian – Blue Portal IV
Francesco Clemente - Ave Ovo
Giovanna Bianco; Pino Valente - The sea does not wet Naples
Daniel Buren - Axis / Offset
Léa Lublin - Without title
Fausto Melotti - The love
Sol LeWitt - Scribbles
Gianfranco Baruchello - My cinema
Giulio Paolini - Dilemma
Emilio Isgrò -
Mimmo Paladino - Without title
Paul Thorel - "Passage of Victory"

Other works on display

Description

Axer / Désaxer. Work in situ, 2015, MADRE, Naples - # 2 consists of an intervention of architectural dimensions, conceived by the artist specifically for the museum atrium. Facing oblique with respect to the street in front, the museum building is "rotated" by the artist's intervention to re-align itself towards the opposite Via Settembrini: through 8.7 cm strips of black and white marble (one of the recurring features of the artist's in situ interventions) the floor of the entrance suggests an unprecedented escape route and a potential perspective axis rectilinear to the road axis, making the museum go out of itself to embrace the city around, while a pavilion-structure, composed of colored surfaces and mirrors, reverberates and enhances this new imaginary axonometry. In this way the artist acts on the viewer's point of view, creating a space of perceptual and cognitive mobility, of vision, mediation, mutual attraction and communion, in which interior and exterior, museum and community interpenetrate one another. , until they become confused with each other. Each visitor is thus welcomed and invited, literally at a glance, to be part of the work, to actively participate in the relationship that it celebrates between the institutional sphere and public dynamics. The work thus becomes a real public celebration of the museum and all its visitors, both integral and collaborating elements of the concept of work in situ. Inscribe the works in the context in which they are exhibited, relate to the social mission that motivates the museum institution, contrast a modernity that does not seek contrast with the urban sphere or the historical dimension, but enhances its matrix: this is the meaning of the work .

Other artworks in Napoli

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Seven works of mercy

Michelangelo Merisi, detto Caravaggio

placeNaples, Campania, Italy

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The liberation of St. Peter

Giovanni Battista Caracciolo, detto Battistello

placeNaples, Campania, Italy

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