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Globe
Beheading of the rhinoceros
Without title
Untitled
Without title
Without title
Indivisible quartet
Room for voices
Time, mistake, space
Without title
Yellow surface
River bed
A J L B
Without title
Checks. Tribute to Niepce
Amalfi box
Big Black Cretto
Basin
Without title
Shock wave
White gold room
Flagellation of Christ
Judith and Holofernes
Vesuvius
Portrait of Paul III with his grandchildren
Danae
Portrait of a young woman called Antea
The Parable of the Blind
Atalante by Ippomena
Transfiguration of Christ
Madonna and Child with Angels
Crib group with the Nativity
Sant'Agata
Portrait of fra luca Pacioli with a pupil
Hercules at the crossroads
Apollo and Marsyas
Saint Jerome in the study
From Frisio to Santa Lucia or Neapolitan song
Crucifixion
Madonna of the veil
Portrait of Pier Luigi Farnese in armor
Globe
Beheading of the rhinoceros
Without title
Untitled
Without title
Without title
Indivisible quartet
Room for voices
Time, mistake, space
Without title
Yellow surface
River bed
A J L B
Without title
Checks. Tribute to Niepce
Amalfi box
Big Black Cretto
Basin
Without title
Shock wave
White gold room
Flagellation of Christ
Judith and Holofernes
Vesuvius
Portrait of Paul III with his grandchildren
Danae
Portrait of a young woman called Antea
The Parable of the Blind
Atalante by Ippomena
Transfiguration of Christ
Madonna and Child with Angels
Crib group with the Nativity
Sant'Agata
Portrait of fra luca Pacioli with a pupil
Hercules at the crossroads
Apollo and Marsyas
Saint Jerome in the study
From Frisio to Santa Lucia or Neapolitan song
Crucifixion
Madonna of the veil
Portrait of Pier Luigi Farnese in armor

Saint Jerome in the study

Colantonio del Fiore

Displayed in:

Capodimonte Museum and Real Wood

Capodimonte Museum and Real Wood

Via Miano, 2, Naples

Open now from 08:30 to 19:30

Verified profile

Considered to be part of the same polyptych, originally flanked by pillars with Franciscan blessed scattered as early as the eighteenth century, the tables were made, perhaps at the request of Alfonso of Aragon, between 1444 and 1446 for the Franciscan basilica of San Lorenzo Maggiore in Naples , from where they were transferred to the museum respectively in 1922 and 1808. Colantonio was the first to paint the lower panel depicting the old Saint Jerome releasing the lion's paw from a thorn, who became, out of gratitude, his gentle companion.
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Details

Title: Saint Jerome in the study

Author: Colantonio del Fiore

Date: 1444 - 46

Technique: Oil on the table

Displayed in: Capodimonte Museum and Real Wood

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