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Vincent Van Gogh - The potato eaters
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Vincent Van Gogh - Terrace of a café at night ( Place du Forum )
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Jean Dubuffet -  Jardin d’émail
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Pablo Picasso - Violon
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Vincent Van Gogh - Self Portrait
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Gerrit Rietveld - Rietveld Pavilion
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Claude Monet - Monet's studio boat (Le Bateau atelier)
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Vincent Van Gogh - Pink peach trees (Souvenir de Mauve)
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Giacomo Balla -  Screen with speedline (Paravento con linea di velocità)
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Fernand Léger - Soldiers playing cards
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Marta Pan - Floating sculpture, Otterlo
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Georges Seurat - Le Chahut
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Piet Mondrian - Tableau No. 1
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Umberto Boccioni - Forme uniche della continuità nello spazio
Vincent Van Gogh - The potato eaters
Vincent Van Gogh - Terrace of a café at night ( Place du Forum )
Jean Dubuffet -  Jardin d’émail
Pablo Picasso - Violon
Vincent Van Gogh - Self Portrait
Gerrit Rietveld - Rietveld Pavilion
Claude Monet - Monet's studio boat (Le Bateau atelier)
Vincent Van Gogh - Pink peach trees (Souvenir de Mauve)
Giacomo Balla -  Screen with speedline (Paravento con linea di velocità)
Fernand Léger - Soldiers playing cards
Marta Pan - Floating sculpture, Otterlo
Georges Seurat - Le Chahut
Piet Mondrian - Tableau No. 1
Umberto Boccioni - Forme uniche della continuità nello spazio

Other works on display

Description

In the open air

In 1841, zinc paint tubes appeared for the first time, making painting in the open air a lot simpler. The paint no longer dried out so quickly and was easier to carry. The impressionists took full advantage of this. They left their studios and went painting outdoors, ‘en plein air’.

From on the water

From 1871 to 1878, Claude Monet lived in Argenteuil, a village on the Seine just outside Paris. Following the example of the painter Charles-François Daubigny, he had a boat built in which he could paint the surroundings from on the water. Thus he was able to depict the effects of light on the water and on the landscape from any convenient spot.

Impression

In this painting the boat is moored between two poles, motionless on the water. A figure is vaguely distinguishable in the cabin, probably Monet himself. The majority of the canvas is occupied by the calm flowing river, in which the boat studio and the trees, but also the sky are reflected. In this painting, Claude Monet gives an impression of the tranquillity on the water during a summer day.


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