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Concierge (Concierge)
Self-portrait
Self-portrait
Vallon to Volpedo
January in Padua
In Fiumelatte from the railway underpass
Vibrant
The blue vase
The candle
The long wait
Medieval motif
Drawings for a fresco. Mary Magdalene at the foot of the cross
The woman of the emigrant
Idyll. The tree of Life
Portrait of Giovanni Cantù
Study of figures for spring idyll
May morning
The bridge
Portrait of peasants (Portrait of Signora Battegazzore)
Portrait of a peasant owner
Will be
The exit of the workers from the Pirelli factory
Night work at Termini Station
Piazza Caricamento in Genoa
Reflections of a hungry. Study
Strike
Ona city street
Tears
Painful reflections
To the Italian economic kitchens
I remember when I was a girl
The search for light. Study for central triptych image
Caryatids
Harvesting hay
The sower
Morning in the workshop
Going to the factory
Solitude
The sun
Hail Mary in transit
Robbery
Believers
Return from the alp
Maize on the farmyard
On the Ligurian coast (Sulla costa ligure)
Curious old women
San Martino d'Albaro
Maternal love
April morning
April sun
Midday in Manarola
The disk of the sun
Summer. Morning
Landscape. Study
Rainy day
Spring in Val Sassina
Viaticum
The melancholy of the sun
Pasture
The gray village
Landscape
The abandoned cart
Maternity
Adoration of the Magi
The way to Calvary
Penumbra
Suburb
Morning
Autumn afternoon
Morning
Figure of a Woman (Portrait of Violette)
The nostalgic hour on Mé-Nam
Portrait of Armando Mazza
House under construction
Concierge (Concierge)
Self-portrait
Self-portrait
Vallon to Volpedo
January in Padua
In Fiumelatte from the railway underpass
Vibrant
The blue vase
The candle
The long wait
Medieval motif
Drawings for a fresco. Mary Magdalene at the foot of the cross
The woman of the emigrant
Idyll. The tree of Life
Portrait of Giovanni Cantù
Study of figures for spring idyll
May morning
The bridge
Portrait of peasants (Portrait of Signora Battegazzore)
Portrait of a peasant owner
Will be
The exit of the workers from the Pirelli factory
Night work at Termini Station
Piazza Caricamento in Genoa
Reflections of a hungry. Study
Strike
Ona city street
Tears
Painful reflections
To the Italian economic kitchens
I remember when I was a girl
The search for light. Study for central triptych image
Caryatids
Harvesting hay
The sower
Morning in the workshop
Going to the factory
Solitude
The sun
Hail Mary in transit
Robbery
Believers
Return from the alp
Maize on the farmyard
On the Ligurian coast (Sulla costa ligure)
Curious old women
San Martino d'Albaro
Maternal love
April morning
April sun
Midday in Manarola
The disk of the sun
Summer. Morning
Landscape. Study
Rainy day
Spring in Val Sassina
Viaticum
The melancholy of the sun
Pasture
The gray village
Landscape
The abandoned cart
Maternity
Adoration of the Magi
The way to Calvary
Penumbra
Suburb
Morning
Autumn afternoon
Morning
Figure of a Woman (Portrait of Violette)
The nostalgic hour on Mé-Nam
Portrait of Armando Mazza
House under construction

Viaticum

Cesare Maggi

Displayed in:

Pinacoteca il Divisionismo

Pinacoteca il Divisionismo

Corso Leoniero, 2, Tortona

Open now from 15:00 to 19:00

Verified profile

The Viaticum is an exemplary painting of the Divisionist phase by Cesare Maggi, which began at the end of the century after the visit to the Milanese retrospective dedicated in November 1899 to Giovanni Segantini, who died two months earlier. The impact with Segantini's manner is even dazzling, so much so that he immediately leaves for the Engadine in search of the blinding brightness that only the boundless high mountain scenarios are able to offer. In 1904, the artist moved from Turin to La Thuile, Valle d'Aosta, preferably working en plein air in often prohibitive situations and regularly sending his production to Alberto Grubicy, to whom he has been bound by a contract since 1900. Dated 1911, close to the abandonment of La Thuile and the detachment from Grubicy, Il viaiatico welcomes the sad procession of sparse and tiny dark shapes silhouetted in the prevailing light; led by a priest recognizable by his habit and the high cross, the procession moves from a lonely hut drowned in snow and sets out towards nowhere. The radical resizing of the figures is an expedient to underline the undeniable impotence of the human being in the face of a grandiose, irrepressible, overwhelming Nature.
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Details

Title: Viaticum

Author: Cesare Maggi

Date: 1911

Technique: Oil painting on canvas

Displayed in: Pinacoteca il Divisionismo

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