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Sforza Castle Picture Gallery verified

Milan, Lombardy, Italy closed Visit museumarrow_right_alt

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Andrea Mantegna - The Madonna in Glory and Saints John the Baptist, Gregory the Great, Benedict and Jerome
fullscreen
Filippo Lippi - Madonna of Humility
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Giovanni Antonio Canal, detto Canaletto - The Molo towards the riva degli Schiavoni with the column of San Marco
fullscreen
Alessandro Magnasco, detto Lissandrino - The Verziere market
fullscreen
Antonio Allegri, detto il Correggio - Madonna Bolognini
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Lorenzo Lotto - Portrait of a Young Man with Petrarchino
fullscreen
Bernardo Bellotto - The Palazzo dei Giuristi and the Court of Justice of Milan
fullscreen
Francesco Galli - Madonna Lia
fullscreen
Pier Francesco Mazzucchelli, detto il Morazzone - Pentecost
fullscreen
Vincenzo Foppa - Madonna of the book
Andrea Mantegna - The Madonna in Glory and Saints John the Baptist, Gregory the Great, Benedict and Jerome
Filippo Lippi - Madonna of Humility
Giovanni Antonio Canal, detto Canaletto - The Molo towards the riva degli Schiavoni with the column of San Marco
Alessandro Magnasco, detto Lissandrino - The Verziere market
Antonio Allegri, detto il Correggio - Madonna Bolognini
Lorenzo Lotto - Portrait of a Young Man with Petrarchino
Bernardo Bellotto - The Palazzo dei Giuristi and the Court of Justice of Milan
Francesco Galli - Madonna Lia
Pier Francesco Mazzucchelli, detto il Morazzone - Pentecost
Vincenzo Foppa - Madonna of the book

Other works on display

Description

The purchase of the large canvas and the pendant Il Molo verso la Zecca with the column of San Teodoro in 1995 gave a qualitative leap to the evidence of the Venetian school preserved by the Pinacoteca. The two views offer an unsurpassed narrative synthesis, and fix in harmonious balance the virtuosic reproduction of the famous monuments of the lagoon city and the affable representation of a humanity busy in everyday life. To achieve this truth, the artist only partially used the mechanical instrument of the optical camera, managing to mentally construct the views. The elegant carved and gilded wooden frames accompany the canvases from the time of the commission, promoted by 1742. The perfect state of conservation and the absolute autography frame the two views among the masterpieces preserved in the Castello Sforzesco.

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