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MArTA - Museo Archeologico Nazionale di Taranto verified

Taranto, Puglia, IT closed Visit museumarrow_right_alt

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Female head in polychrome terracotta
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Polychrome terracottas depicting acrobats
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Diadem
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Gladiator
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Portrait of Augustus
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Puppet and toy tower
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Nutcracker
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Earring
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Kylix with Tuna and Dolphins
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Funeral bed (Kline)
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Head of Herakles
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Funeral wreath with oak leaves
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Floor in polychrome tesserae with central velarium
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Shell-shaped casket with Nereid on sea monster
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Venus from Parabita (Lecce)
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Venus from Parabita (Lecce)
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Metope with a scene of battle between Greeks and barbarians
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Bronze statue of Zeus on Doric stone capitals
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Overpainted lekythos with a woman looking out the window
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Green Lizard
Female head in polychrome terracotta
Polychrome terracottas depicting acrobats
Diadem
Gladiator
Portrait of Augustus
Puppet and toy tower
Nutcracker
Earring
Kylix with Tuna and Dolphins
Funeral bed (Kline)
Head of Herakles
Funeral wreath with oak leaves
Floor in polychrome tesserae with central velarium
Shell-shaped casket with Nereid on sea monster
Venus from Parabita (Lecce)
Venus from Parabita (Lecce)
Metope with a scene of battle between Greeks and barbarians
Bronze statue of Zeus on Doric stone capitals
Overpainted lekythos with a woman looking out the window
Green Lizard

Other works on display

Description

The discovery of the Tomb of the Ori begins as a somewhat confused tale. In 1928 the first indications came to the superintendent of Puglia Quintino Quagliati thanks to a sketch of the plan and a prospectus. The place of discovery was the road to Cerignola, parallel to the route of the Appia Traiana. At the time, the archaeologist did not see the tomb, which had already been covered during the work of laying the sewer, but the description of the dromos, the three cells and the monumental façade hinted at its importance. In 1935 the publication of the materials caused a sensation and a sort of archaeological legend was born.

The name OPAKA SABALEIDA written with dotted characters on the hinge of the shell-shaped case and an adolescent tooth made the hypothesis - the legend - affirm the hypothesis - the legend - of the Canosian princess who died as a teenager and deposited with her wealth on a bed of asbestos. In addition to the figure of Opaka, the story accompanied the figure of Busa who had welcomed the survivors of Canne.

In 1991, new urbanization works brought to light the tomb and it was possible to reconstruct the dynamics of the 1928 intervention. fragments of armor, a sword with a wooden sheath, a spearhead, the strigil. The chronology between the end of the 4th and the 3rd century BC. confirms the relevance of the hypogeum to the princely elite of the city.


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