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Madonna with child
San Bernardino of Siena
Madonna with child
Madonna crowned by two angels and mystical marriage of Saint Catherine
Crucified Christ
Our Lady of Ambrose
Enthroned Madonna with Child
Enthroned Madonna with Child
Madonna of the Pit
Enthroned Madonna with Child and scenes from the life of Jesus and the Virgin (Triptych of Beffi)
St. Francis receives the stigmata
Madonna with the Child and Saints
Madonna on a throne with Child and angels
Christ at the Column
Martyrdom of St. Bartholomew (detail)
The Magdalene in meditation on the skull
Sant'Agata in prison
Hare
Relief with funeral procession
Relief with gladiator games
amiternino calendar
The family of Jesus meets the family of the Baptist
Madonna with child
San Bernardino of Siena
Madonna with child
Madonna crowned by two angels and mystical marriage of Saint Catherine
Crucified Christ
Our Lady of Ambrose
Enthroned Madonna with Child
Enthroned Madonna with Child
Madonna of the Pit
Enthroned Madonna with Child and scenes from the life of Jesus and the Virgin (Triptych of Beffi)
St. Francis receives the stigmata
Madonna with the Child and Saints
Madonna on a throne with Child and angels
Christ at the Column
Martyrdom of St. Bartholomew (detail)
The Magdalene in meditation on the skull
Sant'Agata in prison
Hare
Relief with funeral procession
Relief with gladiator games
amiternino calendar
The family of Jesus meets the family of the Baptist

St. Francis receives the stigmata

Anonymous

Displayed in:

MUNDA - National Museum of Abruzzo

MUNDA - National Museum of Abruzzo

Via Tancredi da Pentima, L'Aquila

Closed now: open at 08:30

Verified profile

In the foreground, St. Francis, dressed in a large habit, receives the stigmata from Christ who appears crucified at the top right, wrapped in fiery red feathers. Next to the saint, another friar sitting in front of a church, is intent on reading. A rocky landscape forms the background. The work was initially attributed by Chini (1912) to Sebastiano di Cola da Casentino mistakenly exchanging it with a panel of the same subject, documented by this painter, who also wrote an Annunciation in the church of S. Maria ad Cryptas in Fossa, dated and signed. This attribution was subsequently refuted by F. Bologna (1950) due to the incompatibilities found between this work and that of Fossa who referred it, together with a panel depicting The Stories of S. Giovanni da Capestrano, coming from the same convent, to a pictorial personality of Iberian-Flemish-Burgundian cultural training, to which are added elements of the Po Valley-Ferrara to whom he gave the name of Master of S. Giovanni da Capestrano. Cannatà (1981), on the basis of stylistic analogies, identified, in the Master of S. Giovanni da Capestrano that Paolo Aquilano author of the signed wooden sculpture, depicting S. Francesco, in the church of S. Maria della Pace in Fontecchio.
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Details

Title: St. Francis receives the stigmata

Author: Anonymous

Date: 1480-1485

Technique: Tempera on wood

Displayed in: MUNDA - National Museum of Abruzzo

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