Bronze statuette, 1st century AD It is 0.78 cm high, found in Sutri. It represents a young man of delicate shapes, about 16 years old, the right arm is raised and the hand rests on the head in the act of styling his hair. The left hand, bent at the elbow, supports with the raised hand an object, towards which the young man's gaze is directed, it is therefore assumed that he is holding a box mirror in his hand. There are similarities with the "Apollino" in the gallery of the Uffizi in Florence, there is this similarity in the motif and in the elegance of the body that you can almost see in Sutri's Efebo. The comparison with Apollinus also serves to highlight the Praxitelean inspiration of the bronze statuette.

Antonio Aquili known as Antoniazzo Romano, 1475-1480, tempera on wood, sacristy of the Cathedral of Civita Castellana. The altarpiece depicts Saint Joseph and the Virgin kneeling in adoration of the Child lying on a bundle of ears. Above, in the center of the gold hole, is the dove of the Holy Spirit with open wings resting on a double layer of clouds.

15th century, tempera on canvas, Civita Castellana episcope. The table represents Saint Bernardino of Siena in full figure in Franciscan habit, supported by a pair of angels, holding an open book with a passage inscribed from the third letter of Saint Paul to the Colossians. Below, at the foot of the figure, a tree-lined landscape and the inscription with the name of the saint.

1207, tempera on wood, Sutri, Cathedral of Santa Maria Assunta. Christ is depicted seated on a throne with a back lined with blue fabric. That the icon was carried in procession is then shown by some holes, made on the back, for the housing of the handles and rings necessary for transport and anchoring. The most interesting technical element of the icon is the presence of a recess for the repositioning of the relics accessible from the back and closed by a modern door.

Sutri, Rock Church of Santa Fortunata, detachment of a fresco, 12th century. The fresco represents a bishop saint or perhaps Pope Innocent III.

Sutri, Rock Church of Santa Fortunata, detachment of fresco, 14th century. The fresco comes from the counter-façade of the rock church of Santa Fortunata and represents the saint herself.

Sutri, Rock Church of Santa Fortunata, fresco cut, 14th century. The fresco comes from the counter-façade of the rock church of Santa Fortunata and represents the saint herself.

Municipal historical archive, 17th century.

-Breviary of Pope Sixtus V: Sutri, Municipal Historical Archive, 1588.

-Pergamena del Protonotaio: Sutri, Municipal Historical Archive, 1688.

-Notary stamps: Sutri, Municipal Historical Archive, XIX Century, The stamps show the words "Nicola Goretti notaro in sutri" and "Camillo Petrucci notaro in Capranica"

18th century, Sutri, Cathedral of Santa Maria Assunta, silver and gilt metal. Reliquary bust of San Liberato. On the right side of the base of the reliquary there is an engraving indicating the commissioner of the work, the Marquis Marcello Muti Papazzurri, a Roman noble.

12th-13th century, embossed, engraved, chiseled silver. Bishop's Palace, Civita Castellana. The reliquary can be defined as a "bag" due to the particular type that allowed it to be suspended by means of cords or chains threaded into the two small side rings. The two trapezoidal faces, embossed.