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With an umbrella in the snow
L'attore Kabuki Iwai Kumesaburo II
Cup with spout
Cup with ibex
Akshobya
Box for paper and documents
Candlestick base
Safavid tile
Commentary on the 40 Traditions
Fragment of Prabhamandala
Ushnishavijaya
Stupa with cosmic Buddhas
Mamluk Ampoule
Prajñaparamita manuscript with double cover
Winter landscape at a watercourse
Tamon-Ten
Akshobhya the Buddha of the eastern direction
Mirror box
Inro with Tokaido stations
glass thu
Hu vase with painted decoration
Urn for the soul (Hunping)
Reclining Buddha in Parinirvana
Fox dance
Architectural fragment with Shiva and a Vyala
Anthropomorphic neck jar
Civil servant on high pedestal
Jnana Dakshinamurti
Head of Vishnu
Shalabhanjika
destroy
Worship of Krishna
Head of a bearded man (Silenus or Atlas)
Buddha and ascetic
The defeat of Mara
Shakyamuni Buddha on the throne of lions
With an umbrella in the snow
L'attore Kabuki Iwai Kumesaburo II
Cup with spout
Cup with ibex
Akshobya
Box for paper and documents
Candlestick base
Safavid tile
Commentary on the 40 Traditions
Fragment of Prabhamandala
Ushnishavijaya
Stupa with cosmic Buddhas
Mamluk Ampoule
Prajñaparamita manuscript with double cover
Winter landscape at a watercourse
Tamon-Ten
Akshobhya the Buddha of the eastern direction
Mirror box
Inro with Tokaido stations
glass thu
Hu vase with painted decoration
Urn for the soul (Hunping)
Reclining Buddha in Parinirvana
Fox dance
Architectural fragment with Shiva and a Vyala
Anthropomorphic neck jar
Civil servant on high pedestal
Jnana Dakshinamurti
Head of Vishnu
Shalabhanjika
destroy
Worship of Krishna
Head of a bearded man (Silenus or Atlas)
Buddha and ascetic
The defeat of Mara
Shakyamuni Buddha on the throne of lions

destroy

Anonymous

Displayed in:

MAO - Museum of Oriental Art

MAO - Museum of Oriental Art

Via San Domenico, 9-11, Turin

Open now from 10:00 to 18:00

Verified profile

horse, modeled in a rather realistic way, rests in dynamic posture on a thin base, with the right foreleg raised in a graceful way. The head is turned slightly to the left, thus accentuating the general impression of movement. The body and limbs of the animal are sturdy, the chest is powerful, the details of the muzzle are rendered in a fine and effective way with particular attention to the muscles under the skin. The mane, divided into two tufts in front of the straight ears, is arranged in long parallel and orderly curls on the left side of the neck. The horse is almost entirely covered with white engobe and has no harness.
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Details

Title: destroy

Author: Anonymous

Date: 7th century AD

Technique: Terracotta with white-pink mixture, with white engobe and pigments

Displayed in: MAO - Museum of Oriental Art

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