The harpsichord, of excellent workmanship and only partially compromised by the interventions carried out in the following centuries, is a precious testimony of the Venetian production of the late sixteenth century. The signature of the alleged Venetian builder, Vito Trasuntino, does not seem to be authentic, both for the style and because it is affixed to the inlay of the crossbar, a non-original piece. The instrument is kept in a counter-case covered with engraved leather and painted with scrolls of tendrils, in gold and black on a red background.