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Stone Pluteus with interwoven and phytomorphic ribbon decoration
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Cubic capital in decorated stone
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Stone capital with eight-petaled flower and other phytomorphic motifs
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Arched tile with central shaft
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Altarpiece Virgin enthroned
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Angel head
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High relief Santa Fosca
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High relief representing the Lamentation over the dead Christ
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Adoration of the Magi
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Sculpture representing the praying Madonna
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Well with griffins reworked on a Roman base
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Holy water stoup
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Pastoral hedgehog
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Formella with hare and leaf
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Seal of Anastasio Patrizio
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Transit of the Virgin
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Bronze fibula
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Fragment of dish
Stone Pluteus with interwoven and phytomorphic ribbon decoration
Cubic capital in decorated stone
Stone capital with eight-petaled flower and other phytomorphic motifs
Arched tile with central shaft
Altarpiece Virgin enthroned
Angel head
High relief Santa Fosca
High relief representing the Lamentation over the dead Christ
Adoration of the Magi
Sculpture representing the praying Madonna
Well with griffins reworked on a Roman base
Holy water stoup
Pastoral hedgehog
Formella with hare and leaf
Seal of Anastasio Patrizio
Transit of the Virgin
Bronze fibula
Fragment of dish

Other works on display

Description

The work, carved in high relief in gilded and painted wood, represents Santa Fosca lying down, with her head resting on a pillow, with her eyes closed and her arms folded. The sculpture constituted the lid of the marble sarcophagus of the saint, located in the homonymous church in Torcello. It is due to a Venetian-Tuscan workshop and dates back to between 1440 and 1460.


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Self-portrait

Giovanni Francesco Barbieri, detto Guercino

placeTurin, Piedmont, Italy

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