In this splendid work, the great artist describes a complex scene destined to make one reflect on the vice of idleness and the lasciviousness generated by idleness. In a well-heated room, as suggested by the stove, an elderly man, instead of working, falls asleep on the bench. The demon inspires the vision, which materializes in the classical Venus, recognizable also by the presence of Cupid. The latter is depicted climbing on stilts, a further suggestion to say that in an old man, lasciviousness is not only sinful but also futile. In his refined and complex game of references, the artist puts a ring on Venus's hand, citing a widespread legend told since the 12th century and taken up in the 19th century by Heinrich Heine and Prosper Merimée. According to the story, the devil, hidden in a splendid statue of Venus, would have bound to himself, in a sort of engagement, a young man who, after various adventures, was freed only by a priest and then converted to Christianity. Dürer's monogram is at the bottom right. The Bertarelli Collection owns several engraved works by the great German artist.