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The show

Parallel Visions. Works from the Sandretto Re Rebaudengo collection artists and artists: Daniel Frota, Riikka Kuoppala, Tarek Lakhrissi, Ghita Skali, Thomas Teurlai


On the occasion of the tenth anniversary of the partnership between the Sandretto Re Rebaudengo Foundation and ENSBA Lyon - École Nationale Supérieure des Beaux-Arts, on 8 October the solo exhibition by Caroline Déodat "Landslides" and the group exhibition with works of the “Parallel Visions” Collection. Since 2012 the Foundation and ENSBA have been collaborating in the context of the post-graduate program of the Lyon school. The program is a one-year professionalizing residency path located in the school and open to five artists per edition, coordinated by a responsible curator (Francois Piron 2012-2019; Oulimata Gueye 2020-ongoing).


The post-diplome allows participants to develop their own artistic practice through meetings, lectures, workshops in Lyon and trips abroad. Each year the curator responsible for the partnership for the Foundation (Stefano Collicelli Cagol 2012; Lorenzo Balbi 2013-2017; Bernardo Follini 2018-ongoing) invited an artistə to present his / her research in the spaces of Turin or Guarene, thus supporting the first institutional presentations of the artist and accompanying them in the production processes of their work. The partnership is part of the Foundation's broader projects in support, production and promotion of emerging artistic practices. The exhibitions presented on 8 October at Palazzo Re Rebaudengo retrace some of the projects produced in the context of the collaboration, also inaugurating a new edition of the project.


The solo exhibition "Landslides" by Caroline Déodat (FR, 1987) presents the homonymous video installation produced by the artist in 2020 for a circuit of festivals dedicated to the moving image and re-edited in a new version for its presentation set up in the spaces of Palazzo Re Rebaudengo. Déodat's research crosses the disciplines of cinema, fiction, ethnography and theory by exploring the relationship between archiving and alienation processes. Coming from a background in anthropology and performance studies, the artist is interested in crossing literary and body knowledge to break up the cartographies drawn by academic disciplines through the use of underground stories and the use of hauntological materials (from the concept of "hauntology ”By the philosopher Jacques Derrida, later employed by the cultural critic Mark Fisher to describe a nostalgic and ghostly relationship with the past).

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Via Roma, 1
12050 Guarene

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